Inital Goals and Concepts!

Newsies is a show I will remember forever. The cast was incredible to work with—everyone gave it their all, making the experience truly special. My goal for this production was to create an intense and dynamic atmosphere. I didn’t necessarily want to rely on excessive effects, but instead, I focused on Broadway-style lighting, using expressive color choices and precise lighting to highlight characters and movement on stage. One of the biggest challenges was the constantly moving set, which made front lighting for faces particularly difficult. I spent a lot of time positioning lights to ensure the perfect angles, especially as performers moved across the shifting platforms. To help reduce shadows under their hats, I placed strip lights at the front of the stage. I also used strip lights at the bottom of the cyc to subtly convey the time of day through lighting shifts. Between these elements and carefully timed lighting effects, this show had a strong visual storytelling component that helped bring the world of Newsies to life!

Once and For All

Once and for All is, in my opinion, the most intense song in the musical. It’s the moment when the kids finally revolt against the rich and powerful, taking back what is rightfully theirs. My director wanted to replicate the Broadway staging, where the entire set moves forward, so we spent days figuring out how to make that happen. Once the movement was set, I positioned a series of lights specifically for that scene to maximize its impact. To this day, it remains one of my favorite scenes to watch. The intensity of the colors and shadows throughout the number created a powerful atmosphere. I used moving prism gobo effects to resemble the printing press in motion at the beginning of the song, reinforcing the visual storytelling. Overall, this song was one of my all-time favorites, and I put a tremendous amount of work into making it as impactful as possible.

Newsies was my first high school show where I worked without a lot of direct guidance from the directors. I made plenty of mistakes—failing to create a clear layout, messing up cues, and not always managing my time effectively. However, these opportunities to fail and learn from my mistakes ultimately shaped me into a better designer. Now, I make sure to draft a solid plan before starting any design. I stay organized, double-check my layouts, and give myself more time than I think I’ll need in case something goes wrong. This show was the turning point that truly ignited my passion for lighting design, and I’ll always be grateful for the lessons it taught me. Looking back, I can see how much I’ve grown, and Newsies will always hold a special place in my journey as a designer.

Photo Credit For Newsies: Annie Zwack

Reflection and Final Notes

Previous
Previous

Urinetown